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starts the freak-out well enough with a trio of art school meditations that don't really make much sense singularly, let alone as a cohesive unit. In the first segment, a typical looking young lady pays a visit to a pornographer who, as any good pornographer does, gets her to masturbate on an American flag. Next, a red-headed gal with ropes wrapped around her lays on the rocky shore of a beach, distraught and intent on ending her life. As the tide comes in, said redhead reminisces about past sexual relationships. Apparently, they bummed her out a bit. Lastly, a writer, exhausted from typing, takes a much needed nap. As he sleeps, he dreams of 2 lovely nude cuties running around with each other on the beach who beckon to him. Upon waking, he decides to head out to the beach to get his thoughts straight. While walking the shore, he sees the 2 ladies that he was dreaming of reaching to him from a rocky alcove. He freaks the fuck out and runs straight to the loony bin, where he has insanity drenched sex antics with 2 fellow inmates, who may or may not be the girls he had dreamed of earlier; it's difficult to tell. The end. At 54 minutes, Ramage (Mobility Cathexis) runs a little long, but overall is an interesting watch in its own right.

After her death, Gabrielle writes a poignant posthumous love letter to her grieving husband, Philippe, who is enduring the family ritual of the funeral alone.

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55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

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Men from different backgrounds became friends at a young age, and because of this they became conflicted in their respective positions, became enemies, and crossed paths, but deep inside there was surely a friendship that has not changed in the past 40 years...

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Jürgen Stoll is not only a Filou and life artist, but the darling of many women. When the marriage swindler is given the choice, prison in the GDR or a career as "Romeo" in the FRG, he decides to go to the West. Stoll now plays in the big game of secret agents until he realizes that the Stasi still has very different plans with him.